I.
INTRODUCTION
Gayren Wilfred L (1979: 154) defined that the myth critic is
concerned to seek out those mysterious elements that inform certain literary
works, and that elicit, with almost uncanny force, dramatic and universal human
reactions. An obviously close connection exists between mythological criticism
and the psychological approach. The differences between the two approaches are
those of degree and of affinities. Psychology tends to be experimental and
diagnostic. It is closely related to biological science. Mythology tends to be
speculative and philosophic. Its affinities are with religion, an anthropology
and cultural history.
According to Alan (1954) myth is to be defined as a complex of
stories –some no doubt fact, and some fantasy –which. For various reasons,
human beings regard as demonstration of the inner meaning of the universe and
of human life, also Winston (1946) explained that myth is fundamental the
dramatic representation of our deepest instinctual life, of a primary awareness
of man in the universe, capable of many configurations, upon which all
particular opinions and attitudes depend.
Kegan paul (1953) also defined that myth is a direct metaphysical
statement beyond science. It embodies in an articulated structure of symbol or
narrative a vision or reality. It is a condensed account of man’s being and
attempts to represent reality with structural fidelity, to indicate at a single
stroke the salient and fundamental relations which for a man constitute
reality.
As the definition above, we can conclude that myth is untrue story
and become phenomenon in human culture because in a real world, myths never to
colorful stories that tell about the origins of humans and the cosmos. Attitude
toward myth vary greatly some regards it as a source a spiritual growth, while
other see only falsehood. Some see in myth the distinct character of particular
culture, while others see universe patter. For example in the circle of
society, some people still believe with the something irrational that become hereditary
culture.
II.
ANALYSIS
In this paper the writer analyzes about myths in the novel of Harry
potter, they are:
a.
The
sorcerer’s stone is an extraordinary stone with remarkable power, a legendary
substance with astonishing powers.
One of the characters in Harry potter and the sorcerer’s stone is
Nicholas flamel. He is the only known maker of the sorcerer’s stone. A
character in Harry Potter and the sorcerer’s stone is Nicholas flamel. He is a
Frenchmen. He was born in 1330, and would go on to marry Parnelle. The legend
tells he would go on to discover the secret of alchemy, using the philosopher’s
stone and came into great wealth and enjoy a long life. Allegedly, when his
tomb was opened there was no body inside giving power to the rumor he had
discovered the secret of eternal life. This is almost exactly how we are
introduce to the characters in the philosopher’s stone.
“the ancient study of alchemy is concerned with making the
sorcerer’s stone, a legendary substance with astonishing powers. The stone will
transform any metal into puro gold. It also produces the elixir of life, which
will make the drinker immoral. There have been many reports of the sorcerer’s
stone over the centuries, but the only stone currently in existence be;ongs to
Mr. flamel who celebrated his six hundred and sixty-fifth birthday last year,
enjoy a quiet life in devon with his wife, prenelle.”
b.
A
centaur is a combination of a man and a horse from Greek mythology.
Centaurs themselves are taking on an increasingly large role in the
novels. They take on the traditional form of centaurs, being human beings in
front, merging with the body and hind legs of a horse. Centaur is the creature
in greek mythology that is the waist a man with red hair and beard, but below
that was a horse’s gleaming chestnut body with a long, reddish tail.
c.
Fluffy
is three headed dog that is guarding the trapdoor.
Fluffy is a three headed dog that is guarding the trapdoor. The
three headed dog fluffy, whose role guarding the gates of hell in Greek myth
and guarding the sorcerer’s stone in the first novel. Fluffy can be calm if
listen music,
“and did he – did he seem interested in fluffy?”harry asked, trying
to keep his voice calm.
“well --- yeah –how many three-headed dogs d’yeh meet, even around
Hogwarts? So I told him, fluffy’s a piece o’ cake if yeh know how to calm him
down. Jus’ play him a bit o’ music an’ he’ll go straight off ter sleep—“
d.
Animagus
are notable because they are typically in human form.
An animagus is human who has learned to transform into animal and
the character in the novel Harry Potter who becomes an animagus is Sirius
Black. Originally a greek word, seirios, meaning “burning”, serious has become
instrinsically linked with the canine species due to the prominent star in the
constellation canine major. It is known also the myth of black shuckthe poet
martin newell references the legend thus.
“Sirius and James transformed into such large animals”
“I could transform in my cell …become a dog”
e.
Werewolf
is a creature that exists only for a brief period around the full moon.
Werewolf is a normal human, a person becomes a werewolf when bitten
by werewolf and exists only for a brief period the full monn, in the novel
harry Potter and prisoner of askaban, one of the characters who becomes wolf is
Remus Lupin. Remus is taken from one of the two founders of Rome, brothers
raised by a wolf, named Romulus and remus, the former eventually killing the
latter. A minor point to note is that the mythical remus father was the god
Mars in Greek mythology, mars was the god of war and the centaurs in Harry
Potter are fixated on the movement of Mars in the novels.
“That’s where all of this starts – with my becoming a werewolf,
none of this could have happened if I hadn’t been bitter…”
III.
CONCLUSION
Based on the analysis, the writer can conclude as follow:
1.
Myth
is untrue story and become phenomenon in human culture because in a real world,
myths never to colorful stories that tell about the origins of humans and the
cosmos.
2.
Harry
Potter is novel telling about magic world. The novel contained many meanings of
philosophy and attracted emotion, the imagination and thought.
3.
In
the novel Harry Potter, there are several myths such as the sorcerer’s stone,
centaur, fluffy, animagus, and werewolf which were taken from variety of place
in the world.
IV.
REFERENCES
Wilfred, Guerin. 1979. A Hand
Book of Critical Approaches to Literature. Harper and Row: New York.
Yeniswari, andi. 2009. The
analysis mythology in the novel Harry Potter by J.K. Rowling. English
literature department adab faculty alauddin state Islamic university of
Makassar: Makassar.
Rowling. JK. 1998. Harry Potter
and the sorcerer’s stone. New York: scholastic.
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